Monday, April 29, 2019

H House | 4M Group

With a growing reputation for celebrating the heritage of the Republic of Kosovo, 4M Group sought to reflect the cultural legacy and illustrate a renewed optimism in Pristina with the creation of H House. Demonstrating awareness of the dichotomy of Kosovo’s recent history, the client wanted a house where safety and security were paramount, but with open light filled interiors.

Photography: Ilir Rizaj

4M Group has explored what an appropriate design response might be in a small country recently ravaged by war and seeking to restore its strength, confidence, and self-reliance. Inspiration was drawn from the traditional Albanian costume worn by men, the Fustanella, and the rhythmic way the fabric of the garment moves with the dancer at festive gatherings.
The construction has taken advantage of available trades and locally sourced building products, and recycled materials have been used where possible for concrete and masonry elements. As the climate is extreme with hot Mediterranean summers and winters which can bring deep cold and heavy snows, responsible energy use was a key consideration. Achieved through passive means, the house benefits both from the inertia that the heavily insulated construction provides, and from the ingress of winter sun through deeply recessed fenestration.

Photography: Ilir Rizaj

H house is located in an environment striving to find itself. The dynamism of the structure in such a prominent setting has become a symbol of confidence in the landscape.
For this project, the design team set out to create a passive solution that would take advantage of the location and orientation of the site by applying straightforward principals. At H House, the key components of the building envelope are its heavily insulated reinforced concrete façades and triple glazed windows. The high thermal mass and airtight construction cope well with the seasonal temperature variations and have resulted in a house that takes little energy to maintain a comfortable environment in any weather.

Photography: Fitim Muçaj

The orientation of the house is focused toward the South West, where large windows open onto the gardens and to the views of Prishtina beyond. The windows are set back 1200mm from the eaves to provide shading from the overhead sun in summer, and to allow the low winter sun to penetrate and heat the interior spaces of the house. The elevated location allows natural cross ventilation to provide cooling in the summer months.

Photography: Fitim Muçaj

The house has intelligent response systems for comfort control which automatically operates glazing louvers and opens window fanlights. The heating system is a dual air/water thermal heat pump, which supplies underfloor heating throughout, and can be supplemented by a wood pellet boiler should temperatures drop below -25C°.
Low energy lighting has been used both inside and externally, which are set automatically to switch off at night to further reduce energy use and light pollution. Water efficient appliances and sanitary fittings are used throughout, and white goods are triple AAA rated. The construction has taken advantage of available trades and locally sourced building products, and recycled materials have been used where possible for concrete and masonry elements. Where skills have not been readily available, training by suppliers has assisted to increase the skills base.

Photography: Ilir Rizaj

Project Info:
Architects: 4M Group
Location: Çagllavicë
Lead Architects: Perparim Rama, Agron Mjekiqi, Fitim Muçaj
Area: 904.0 m2
Project Year: 2016
Photographs: Ilir Rizaj, Fitim Muçaj
Manufacturers: Alumil, DAIKIN, Miele, Porcelanosa, Wicona
Project Name: H House

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Sunday, April 28, 2019

l’Étoile, Scène de Mouvaux | atelier d’architecture King Kong

Designed by atelier d’architecture King Kong, The town of Mouvaux first created an urban hub where a school, housing units, and sports hall were built. A cultural center was subsequently added, erected on a plot of land conferring optimum visibility and bringing the urban development zone to fruition. The aim of this project was to create a cultural instrument including a performance hall, premises for associations, a venue for symposiums and conferences and workshops for artistic practices such as theatre, music and the visual and plastic arts.

Photography: Arthur Péquin

The building occupies the entirety of the plot’s trapezoid footprint and is positioned so as to best benefit from natural sunlight. As a response to the plurality of the design’s functions, it is split in two by a glazed fault line accommodating the entrance lobby. The fault line resembles a ‘covered street’ and is the structural backbone around which the two different universes distributed over the building’s three floors (ground floor and two upper stories) are organized. The professional performance hall is situated to its left while all other activities are housed to the right, visible from the central public space. The fault line serves, then, at once as a frontier and meeting place, providing an efficient means of circulating through the building and ushering natural light into its very heart.

Photography: Arthur Péquin

The grammar of this design is conditioned by the geometry of the plot of land, from which, like a stylistic device, ‘serial’ leitmotifs are born, initiating countless variations, as in the art of Sol LeWitt. Here, the two concrete volumes on either side of the fault line are pierced with glazed trapezoid panels and these motifs are also indented into the building’s blind walls, notably those housing the main performance hall. The conference hall forms a sharp point and the entrance from the forecourt is heralded by a vast glazed triangle.
The tiered seating in the stalls, circle, and a stage is all retractable, meaning the performance hall may be reconfigured thus:

Photography: Arthur Péquin

– capacity with tiered seating unfolded – 500 seats; with tiered seating folded back – 750 standing places.
– a curtain positioned in direct line with the circle means the latter may be hidden from view, thereby reducing the capacity of the hall to 360 seats (stalls only).
– the stage is composed of risers so that it may be lowered into the ground, leaving the stage and stalls on the same level.

Plan

Project Info:
Architects: atelier d’architecture King Kong
Location: Mouvaux, 59 – France
Project Manager: Frédéric Neau Project Leader Julie Dehaut
Area: 3295.0 m2
Project Year: 2017
Photographs: Arthur Péquin
Manufacturers: FunderMax, AGC, Schindler, CEMEX, Forbo Flooring Systems, Grohe, Knauf, Legrand, Roxul, Soprema, VELUX, Vitra, Vetrotech-Saint-Gobain, Sylvania, De Dietrich
Project Name: l’Étoile, Scène de Mouvaux

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