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1. He is a world traveler
Gathering ideas, observing the urban space around him, and documenting his unconventional ideas, Koolhaas travels consistently. He says that he stays in hotels so often that he is excited to be involved in designing one himself. A library in his mind exists as a result of all his diverse journies.
During his childhood years, Koolhaas lived for four years with his family in Jakarta, Indonesia. This is when he started to become infatuated with Asia. This was a starting point to an obsession with Asian architecture that shows in many of his designs
Before working on designing the Seattle Public Library, he conducted a three-month study, traveling to check out libraries in Europe and the United States, then producing a book that includes, as he puts it, “everything from first impressions to analysis of what is wrong with libraries.”
2. He was a journalist and a filmmaker
Image by Forgemind Archimedia (CC BY 2.0), via Wikimedia Commons
Before he could build, Rem Koolhaas wrote. Even though buildings of his design are now everywhere, he continues to write. His writings are thought-provoking and almost as weird as his buildings. Architects dig through his books looking for ideas; students all over the world idolize Koolhaas. The attraction lies, mostly, in his ability to keep us off balance. He also had a career in journalism and wrote for the Haagse Post. His capability of observing his surroundings and describing changes plays a vital role in writing his hit book “Delirious New York”.
3. He loves making disputable buildings
Dutch Embassy – Photo by Achim Rakscha (CC-BY-SA-3.0) via Wikimedia Common
“I like thinking big. I always have. To me its very simple: if you’re going to be thinking anyway, you might as well think big.” – Koolhaas in an interview, S, M, L, XL
It is no secret that Koolhaas’s buildings are eccentric and unconventional. Koolhaas does not try to hide it. In fact, he does not mind thinking outside the box or getting showered with criticism. On the other hand, he honestly states that it is sometimes okay to be realistic and think inside the box.
“That has been my entire life story. Running against the current and running with the current. Sometimes running with the current is underestimated. The acceptance of certain realities doesn’t preclude idealism. It can lead to certain breakthroughs.”– Koolhaas in the Smithsonian Mag, September 2012
Read more:
7 reasons to revere Rem Koolhaas!
4. He has no “Trademark”
Dutch Embassy – Photo by Achim Rakscha (CC-BY-SA-3.0) via Wikimedia Commons
“Architecture has been defined in terms of one activity, and that activity is adding to the world. A few years ago I realized the profession was as if lobotomized – it was stuck conceiving of itself only in terms of adding things and not in terms of taking away or erasing things” – Koolhaas in an interview in Wired.
Unlike other architects of his stature, such as Frank Gehry or Zaha Hadid, who have continued to refine their singular aesthetic visions over long careers, Koolhaas works like a conceptual artist. Although his buildings are arguably bizarre and mostly modern, he does not restrict himself to one single style or signature. He is a versatile designer, capable of drawing on a seemingly endless stream of ideas. Accordingly, he does not confine himself to one single form. Also, we have shown before a short movie about Koolhaas promoting his Manhattan project which shows his flexibility in design.
Koolhaas participates in many competitions, which is also uncommon among most of the architects of his popularity. The process allows for creative freedom since a client isn’t there to make demands.
5. He puts user’s needs first
Seattle Central Library – Photo By Steven Pavlov via Wikimedia Commons
A common attribute of Koolhaas’s diverse works is his emphasis on the user’s human needs. Although it seems like his focus is to make signature buildings, his priority goes to the humans using them.
Most of his work demonstrates modernity and highlights the humanitarian design approach. The world-famous Seattle Library, designed by Koolhaas prioritizes users’ needs and gives a new dimension to our previous perception of what we consider a library. The library design provides a unique spatial experience that makes people eager to read, learn, and come back for more. The interior design makes the reader’s experience one of a kind, while the exterior resembles a “labyrinth”.
Koolhaas designed Maison à Bordeaux in France, in 1998. He constructed a glass elevator for his wheelchaired client, allowing him to travel through the three levels of the house without feeling “trapped”. The Times Magazine chose the house as one of the best designs of the year.
Read more:
10 Lessons To Learn From Rem Koolhaas
Interior of Seattle Public Library By Moody75 (CC BY-SA 2.0) via Wikimedia Commons
6. He has a contradictory personality
CCTV Headquarters – Image By Poeloq[CC BY 2.0) via Wikimedia Commons
7. He was originally an urban designer
Almere, Netherlands. Courtesy of OMA Architects
Although he is known for his architectural designs, he largely contributes to the cultural scene as an urban thinker. Not since Le Corbusier mapped his vision of the Modernist city in the 1920s and ’30s has an architect covered so much territory. Koolhaas has traveled hundreds of thousands of miles in search of commissions. Along the way, he wrote half a dozen books on the evolution of the contemporary metropolis and designed urban master plans for suburban Paris, the Libyan desert, and Hong Kong.
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